Friday, December 11, 2009

SOB's Favorite Shows Of The Noughties: #17 - Ruined

SOB's Favorite Shows Of The Noughties: #17 - Ruined (2009, New York City Center Stage I, Manhattan Theatre Club, New York, NY)

Introduction: Hard as it is to comprehend that we're already 119 months into this "new" millennium, we are fast approaching the end of its first decade. While we have yet to agree on what exactly we should call the '00s, I'll take a cue from the fine folks at The Times of London and the BBC and henceforth refer to them at the Noughties.

With that small introduction, I'm pleased to present my list of plays and musicals that wowed me the most during that time. Out of the hundreds and hundreds of shows I've seen over the last ten years, I give you my countdown of my 25 personal favorite shows of the Noughties.

It wasn't until the second act of Lynn Nottage's devastatingly exceptional Ruined that we learned the Congolese people's secret for surviving recurring civil wars. According to one central character, they must simply pretend to ignore the inhumanity all around them. But Ruined was much too excellent to ignore as its Pulitzer Prize underscored.

What Nottage and director Kate Whoriskey achieved with this heartstopping production was nothing short of monumental. They skillfully succeeded in placing many a human face on those who are grossly dehumanized even if it ranks as one of the most difficult plays I ever sat through.

Nottage created some of the year's most remarkable female roles, including a madame named Mama Nadi (a superb Portia) whose brothel doors are open to military officials and rebels alike. Nottage endowed each of her central characters with a breathtaking resilience, and a surprising degree of good humor. Ultimately, they demonstrated grace and resolve in their desperate attempts to rise above it all.

This is Steve On Broadway (SOB).

In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post. I paid my own way for this performance.


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Monday, April 07, 2008

An August Award

An August Award

It's official!

Tracy Letts' breath-takingly brilliant August: Osage County has earned one of the single most distinguished awards any theatrical work possibly can: the Pulitzer Prize for Drama.

Other finalists included David Henry Hwang's Yellow Face and Christopher Shinn's Dying City.

Jurors for this year's Pulitzer Prize for Drama included last year's recipient David Lindsay-Abaire (who won for his Rabbit Hole), The Washington Post theatre critic Peter Marks, New York magazine drama critic Jeremy McCarter, The Los Angeles Times' theatre critic Charles McNulty and Chicago Playworks for Young Audiences Artistic Director Lisa Portes.

From the moment I first experienced this amazing theatrical work last August in Chicago, I knew I was witnessing extraordinary stage history being made. I even indicated then that I had a hunch a Pulitzer might be in its future.

I could not be more excited for the entire cast and crew, along with the fine folks at Steppenwolf, but I'm especially thrilled for Tracy Letts -- I only wish his father Dennis had been able to see his son honored by this well-deserved award. He surely would have been incredibly proud.

Hearty congratulations!

This is Steve On Broadway (SOB).

Click here for tickets.

Related Stories:
Today's The Day ... Or Maybe Not (April 7, 2008)
Producer's Perspective Is Sneak Peek (March 24, 2008)
Fantasy Casting Calls (February 26, 2008)
Dennis Letts - RIP (February 24, 2008)
August: Osage County (The SOB Revisit) (February 20, 2008)
August: Osage County Will Extend Again, Moving To Music Box (February 15, 2008)
Is It Just Me, Or... (Part III) (January 22, 2008)
Hot, Hot, Hot August Just Got Longer (January 14, 2008)
SOB's 7 Singular Sensations Of '07 - #1: Deanna Dunagan (December 31, 2007)
SOB's 7 Singular Sensations Of '07 - #3: Amy Morton (December 29, 2007)
ModFab: The Jury Is In (December 28, 2007)
August: Best Time Of The Year (December 15, 2007)
Sorkin "No Tracy Letts" (December 14, 2007)
More Than One Critic Letts August Esteem Show (December 5, 2007)
August Heat Fires Up December Opening (December 4, 2007)
Cold Opening Possible For August: Osage County? (November 16, 2007)
Finally, Back To The Table (November 14, 2007)
Add August To The List? (November 14, 2007)
An August Work (October 30, 2007)
Steppenwolf Letts "Juicy" August Move Forward (September 15, 2007)
This October, Letts' "August" Begins On Broadway (August 22, 2007)
August: Osage County (The SOB Review) (August 19, 2007)
Pulitzer Pulls Rabbit Out Of Its Hat (April 17, 2007)

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Today's The Day ... Or Maybe Not

Today's The Day ... Or Maybe Not

Later this afternoon, the 2008 Pulitzer Prize winners will be announced, and that could include a prize for drama. Last year, the Pulitzer Prize for Drama was awarded to David Lindsay-Abaire for Rabbit Hole.

The reason why this year's awards could include a prize for drama is that there is no mandate dictating that the committee must honor a playwright in this category. And since there is no formal announcement of the works being considered until the awards themselves are announced, it's difficult to predict with any real certainty which plays and musicals may actually be under consideration.

Of course, there's a ton of speculation that a little work by Tracy Letts known as August: Osage County will not only be one of the finalists, but also be honored as the Pulitzer Prize for Drama. I'm keeping my fingers crossed.

Stay tuned. We'll know for certain around 3 p.m. EDT today.

This is Steve On Broadway (SOB).

Related Stories:
An August Work (October 30, 2007)
August: Osage County (The SOB Review) (August 19, 2007)
Pulitzer Pulls Rabbit Out Of Its Hat (April 17, 2007)

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Tuesday, April 17, 2007

Pulitzer Pulls Rabbit Out Of Its Hat

Pulitzer Pulls Rabbit Out Of Its Hat

Despite not even having been nominated, David Lindsay-Abaire's Rabbit Hole was yesterday awarded the 2007 Pulitzer Prize for Drama.

Now being produced at regional theatres throughout the United States (as well as abroad), Rabbit Hole was first presented by the Manhattan Theatre Club on Broadway from January through April 2006 at the Biltmore Theatre. While the play was Tony nominated for Best Play, it ultimately lost to The History Boys, a British work. However, its star Cynthia Nixon would win the Tony for Best Actress in a Play.

The three plays that were nominated for the Pulitzer Prize included A Soldier's Fugue by Quiara Alegria Hudes, Bulrusher by Eisa Davis, and Orpheus X by Rinde Eckert. Rarely is a non-nominated work ever selected by the Pulitzer committee, but this indeed was one of those years.

I took in Rabbit Hole when it was playing on Broadway last year. To be honest, I thought it was simply OK. While it was poignant and provided uniformly good performances, I didn’t think it rose to any great heights, nor do I think it deserving of a Pulitzer.

Completely overlooked were two outstanding musicals (and yes, musicals have previously been awarded the Pulitzer honor): Grey Gardens and Spring Awakening. Ironically, the latter features a breathtaking performance by an actor who figured prominently in Rabbit Hole: John Gallagher, Jr.

Unfortunately, the Pulitzer committee settled for safe.

This is Steve On Broadway (SOB).

Related Stories:
Spring Awakening (The SOB Review) (March 3, 2007)
Grey Gardens (The SOB Review) (February 25, 2006)
The Tonys: If I Could Vote....for Best Play (June 3, 2006)

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