SOB's Favorite Shows Of The Noughties: #16 - The Producers (2002, St. James Theatre, New York City, NY)
Introduction: Hard as it is to comprehend that we're already 119 months into this "new" millennium, we are fast approaching the end of its first decade. While we have yet to agree on what exactly we should call the '00s, I'll take a cue from the fine folks at The Times of London and the BBC and henceforth refer to them at the Noughties. With that small introduction, I'm pleased to present my list of plays and musicals that wowed me the most during that time. Out of the hundreds and hundreds of shows I've seen over the last ten years, I give you my countdown of my 25 personal favorite shows of the Noughties. While
Nathan Lane was already calling in sick by the time I saw
Mel Brooks' celebrated musical
The Producers for my first time,
Brad Oscar and
Matthew Broderick had so much chemistry as Max and Leo that I almost forgot that one of the stars I paid to see was out. Almost.
Fortunately, I was able to return. And return again. My third time was the charm in getting to see Lane opposite Broderick. This dynamic duo played so incredibly well off each other that it was no wonder the audience roared with perhaps the highest decibel levels of approving laughter I've ever heard.
Say what you will about the more recent Rialto outings by Brooks, Lane and Broderick, but for a brief shining moment the trio simultaneously held the crown as the three kings of Broadway.
This is Steve On Broadway (SOB).
In keeping with the new that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post. I paid my own way for all three performances.
Labels: Brad Oscar, Broadway, Matthew Broderick, Mel Brooks, Musical, Nathan Lane, SOB's Favorite Shows Of The Noughties, The Producers
Producers Out, Young Frankenstein In
It's official. After months of sluggish ticket sales and stunt casting, the producers of
The Producers are
finally ready to show it the door
without one final return from
Nathan Lane and
Matthew Broderick. The last,
2052nd regular performance at the
St. James Theatre of Tony's most celebrated show
ever will take place on April 22 -- six years after opening.
But don't cry for
Mel Brooks. His next Broadway musical to be culled from his hilarious movie catalogue is
Young Frankenstein. No dates have yet been set.
The Producers, to be honest, was just never the same without Lane and Broderick. When I took in the production not long after the two had originally departed, I left wondering, "Is this really what I had thought was so funny?" When the two did an encore gig just a couple months later, I realized that they had created a unique magic, a chemistry of musical comedy that was simply impossible to replicate -- they were breathtaking as Bialystock and Bloom. And again, I laughed...hard...from the gut.
With the movie "Young Frankenstein" being my personal favorite from the Mel Brooks film archive, I was thrilled when I
first learned of the casting choices for the stage, especially the thought that
Cloris Leachman might actually recreate her role as Frau Blücher. Whether or not all of them will be part of the actual production remains to be seen, but I'm very hopeful. You can bet I'll be reporting on all of its details once they're announced.
This is Steve On Broadway (SOB).
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Labels: Broadway, Closing Notices, Film, First Word On New Show, Matthew Broderick, Mel Brooks, Musical, Nathan Lane, The Producers, Young Frankenstein