Sunday, October 31, 2010

Scottsboro Boys Continues Breaking New Territory

Scottsboro Boys Continues Breaking New Territory

In the lead-up to this evening's long anticipated opening night for The Scottsboro Boys on Broadway, the marketing efforts in support of the musical just continue to innovate.

On Friday, representatives from the production alerted me to their website's new "reaction wall," which not only enables audience members to post their thoughts regarding the show, but aggregates the key words used most often in a cloud at the top of the page. Words like "history," "brilliant," "great" and "amazing" pop up with great prominence.

That the audience response is this potent comes as no surprise to me. After seeing John Kander and Fred Ebb's stunning musical during its Minneapolis tryout, I had many of the same reactions. And the positive buzz I continue hearing from those who have seen the production already at the Lyceum Theatre have me enthusiastically anticipating my return to the tuner on the Great White Way within the next few weeks.

It's a rare thing for me to use this space to tell those associated with any production to "break a leg," but in the case of The Scottsboro Boys, it comes from the heart.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Friday, May 02, 2008

Determined Not To Be Gone With The Wind

Determined Not To Be Gone With The Wind

Despite devastating pans by the critics (my own SOB Review was fairly mild in compari-son), Gone With The Wind is reportedly going all out to save the $9 million show with a salvage operation worthy of post-Sherman Atlanta.

According to Baz Bamigboye in today's Daily Mail, rumors of a weekend closure notice are giving way to confirmations that they'll be...
...shaving another ten to 15 minutes from GWTW...
...and pumping...
...hundreds of thousands of pounds into marketing...
...all as part of an effort to avoid any official proclamation using that dreaded four letter "F" word:

F-L-O-P.

Me thinks it's too little, too late.

To open this show cold on the West End now has to be considered one of the most costly mistakes in recent theatre history on either side of the Atlantic.

Trying a completely untested composer and librettist in the far reaches of the United Kingdom or at least having a more protracted preview period would surely have precluded this mess, wouldn't it? What were they -- and "they" includes Broadway's own Nederlander Organization, among other producers -- thinking?!

This is Steve On Broadway (SOB).

Click here for tickets.
Related Stories:
Gone With The Wind (The SOB Review) (May 1, 2008)
Is London's GWTW Already Went With The Wind? (April 14, 2008)
GWTW Composer: Knowin' Somethin' 'Bout Birthin' Babies (September 27, 2007)
Frankly My Dears... (July 1, 2007)
Gone With The Wind The Musical? (February 22, 2007)

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Monday, June 18, 2007

Spring Awakening Calling

Spring Awakening Calling

I give up.

I've tried my best here and here to call attention to the lack of courtesy shown by certain audience members in observing appropriate theatre etiquette only to be outdone by Spring Awakening's consumer marketing to its own audience members via cell phone text messaging.

Seems they have a contest that requires audience members to text message their vital information prior to the close of intermission with winners being notified immediately after the show. My guess is that many of those participating will fail to turn off their cell phones during the pivotal second act.

As evidenced by this morning's Andrew Adam Newman story in The New York Times, producers appear to be throwing in the towel by encouraging use of text messaging for their own bottom line. Jujamcyn vice president Jordan Roth is quoted as saying, "Most producers now are really looking for new ways to communicate with our audience....[O]ur goal is to expand what we’re doing to many shows...Will it interfere with the show? Yeah, that is one of the things that is open for discussion."

OK, Mr. Roth. If you're open to discussion, please note I don't want to hear anyone's cell phone going off just so you can market to them, regardless of whether it's for your show or not. The only way I want a show to communicate with me during a show is to let the performance speak for itself.

This is Steve On Broadway (SOB).

Related Stories:
Rat Patrol: Coming To A Theatre Near You? (May 30, 2007)
Theatre Etiquette, Part Two (May 1, 2007)
Theatre Etiquette, Part One (November 30, 2007)

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