Where's Wald...Uh....Ben?Is it just me, or wouldn't the entire month of November be one of the singular most important times for
The New York Times'
chief theatre critic to
have been around, say, Broadway?
(Hat tip to
The Playgoer)
This is Steve On Broadway (SOB).
Labels: Ben Brantley, Broadway, International Alliance of Theatrical Stage Employees, League of American Theatres and Producers, Local One, Lockout, Settlement, Stagehands, Strike
Hallelujah! The Portly Woman Has SungWith a 23% increase in wages,
according to NY1,
Local One of the International Alliance of Theatrical Stage Employees (I.A.T.S.E.) has voted overwhelmingly in favor of its new five year contract with
The League of American Theatres and Producers.
But in case you think all of Broadway's labor woes are behind us now that the stagehands are happy, think again. Apparently the most visible aspect of the Great White Way -- the actors -- may be next in less than six months (hat tip to
The Playgoer, who also details some of the various
surprising nuances of the stagehands' deal).
This is Steve On Broadway (SOB).
Related Stories:December 9 - Time To Cue Portly Woman's Tune? (December 1, 2007)
What The League And Local One Are Saying (November 29, 2007)
STRIKE IS OVER! (November 28, 2007)
Strike By The Numbers (November 13, 2007)
STRIKE! (November 9, 2007)
Before The Holidays Strike? (September 25, 2007)
Thanks, Mel! (July 6, 2007)
Labels: Broadway, International Alliance of Theatrical Stage Employees, League of American Theatres and Producers, Local One, Lockout, Settlement, Stagehands, Strike
What The League And Local One Are SayingNow that the new reality of a post-strike Broadway world is beginning to set in, I wanted to share for a moment what the two sides in the bitter stagehands strike were saying.
The League of American Theatres and Producers has posted the following statement:
November 28, 2007
THE LEAGUE OF AMERICAN THEATRES AND PRODUCERS AND LOCAL ONE/I.A.T.S.E. STAGEHANDS REACH TENTATIVE AGREEMENT ENDING BROADWAY STRIKE
The League of American Theatres and Producers and Local One of the I.A.T.S.E. are pleased to announce that a tentative agreement has been reached ending the Broadway strike.
Performances will resume Thursday evening, November 29. All shows except The Homecoming will play their normal performance schedules. For more information, as well as refund/exchange information for canceled performances, visit our website www.ILoveNYTheater.com.
League Executive Director Charlotte St. Martin said: "The contract is a good compromise that serves our industry. What is most important is that Broadway's lights will once again shine brightly, with a diversity of productions that will delight all theatregoers during this holiday time. We look forward to celebrating the season and welcoming our talented stagehands, and the theatergoing public, back to Broadway."
Local One President James J. Claffey, Jr. said: "The people of Broadway are looking forward to returning to work, giving the theatregoing public the joy of Broadway, the greatest entertainment in the world."
For its part Local One's official statement comes from Robert C. Score, the union's recording-correspondence secretary:
Dear Brothers and Sisters,
President James J. Claffey, Jr., Business Manager Kevin McGarty, Business Manager Michael Wekselblatt, Attorney and Brother Steve Spivak, Attorney James Murphy and the Local One Negotiating Committee have successfully completed the contract negotiation with the League of American Theatres and Producers.
The strike is over. Do not, I repeat, do not report for picket duty.
The Executive Board of Local One has ordered the picket lines to cease. If you receive a call to report to work, please do so.
The Local One Negotiating Committee is firmly behind the ratification of the contract.
Thank you all, Brothers and Sisters, for all the support and understanding during this historic time.
As for who won and who lost,
The New York Times'
Campbell Robertson reports that while neither side
officially would discuss terms of the agreement:
[A]mong the changes The League was able to achieve, according to officials involved in the talks, was a daily minimum of 17 stagehands on the load-in, the lengthy and costly period when a production is loaded into a theater. In the recently expired contract, producers would set a number of stagehands needed for a load-in -- say, 35 -- and all of them would have to stay every day for the entirety of the load-in, an arrangement that producers said often left large groups of stagehands with nothing to do.
The League was also able to gain an extra hour on the continuity call, the hour before or after a performance when stagehands perform duties related to that performance. In the old contract, any work that took longer than one hour required a minimum four-hour work call. In the tentative deal, stagehands can be called for two hours before a performance or for an hour before and after, though they would earn double for the hour after the show.
In return,
according to Robertson, there are gains in pay for the union:
[U]nion members would get yearly raises well above the 3.5 percent that the league had been offering.
So there you have it, folks.
This is Steve On Broadway (SOB).
Labels: Broadway, International Alliance of Theatrical Stage Employees, League of American Theatres and Producers, Local One, Lockout, Settlement, Stagehands, Strike
