Monday, August 09, 2010

Ka-Ching?!

Ka-Ching?!

Goodbye Hilton Theatre. Hello Foxwoods.

As in the Connecticut resort and casino.

Effective today, Live Nation has once again sold out with new naming rights for its beleaguered barn of a theatre that was initially opened by convicted producer Garth Drabinksy's Livent, Inc., on January 26, 1998, as the Ford Center for the Performing Arts.

Livent had acquired two theatres, the Lyric and the Apollo, gutting and banging them together with some of their original architectural elements remaining in the "new" 1829 seat theatre that's been created in their place.

In its brief 14 year history as a Broadway venue, the theatre has only housed eight shows, most of them flops and/or produced at a financial loss due to their over-the-top nature. With respect to the latter, an excellent case in point is the venue's original tenant Ragtime. Shortly after it opened in 1998, Livent declared bankruptcy, and SFX Theatrical Group swooped in to take ownership (SFX would ultimately become part of Clear Channel and then Live Nation).

The biggest hit that played the Ford Center for the Performing Arts was 42nd Street, which took home 2001 Tonys for Best Revival of a Musical and Best Actress for Christine Ebersole. The production lasted nearly four years and a total of 1524 performances.

Shortly after 42nd Street closed, Hilton Hotels was granted naming rights (Hilton's Times Square property is directly across the street from the theatre). Only four shows have played in the theatre during that time, and nothing has played there since Young Frankenstein closed on January 4, 2009.

Of course, the next occupant was already supposed to be playing to record-breaking crowds. And while Spider-Man: Turn Off The Dark has finally loaded-in with rehearsals about to get into high gear, presumably for a much-delayed fall 2010 opening, the theatre itself has been turned off in darkness for so long, it's probably no wonder that Live Nation was seeking yet another corporate sponsor's name to plaster on the building.

I'm no fan of such naming rights. It cheapens both the landscape and the landmarks themselves.

If I can take hope, it's from one landmark Broadway theatre that had a five year fling with one corporate sponsor. That affair blessedly didn't last. As of 2007, the original Winter Garden name stands alone. Miracles really can still happen on Broadway.

As for the newly minted Foxwoods Theatre, perhaps some of their luck will rub off on what is arguably Broadway's unluckiest venue. I'll bet they're counting on a full house.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Friday, May 18, 2007

End Of Plank For Pirate Queen?

End Of Plank For Pirate Queen?

Campbell Robertson reports in this morning's The New York Times that Dr. Seuss’ How the Grinch Stole Christmas! will be making a return trip to the Great White Way this November at the St. James Theatre.

Just to get you caught up on the musical theatre version of musical chairs, the highly popular Grinch played last season at the Hilton Theatre, current home to The Pirate Queen. A move to another theatre may on the surface appear to assure that The Pirate Queen plans to be around for a while, right? Wrong.

Earlier this year, when it was announced that Mel Brooks' The Producers would vacate the St. James Theatre, it was almost in the same breath that they announced Brooks' Young Frankenstein would take its place...at the St. James. But since Young Frankenstein needs a home that will last presumably beyond the Holiday season -- and since its creative team was already spied practically measuring the Hilton's curtains a few short weeks ago -- it stands to reason that The Pirate Queen is likely to post its closing notice very soon. It didn't help that the tuner received exactly zero Tony nominations on Tuesday.

Also, Michael Riedel of the New York Post reports that Roger Bart will join the cast of Young Frankenstein in the title role alongside Megan Mullally, Sutton Foster and Shuler Hensley. Riedel says Christopher Fitzgerald will take the role of Igor. The new musical gets its out-of-town tryout at Seattle's Paramount Theatre beginning on August 4.

This is Steve On Broadway (SOB).
Click here for The Pirate Queen $55 tickets.
Related Stories:
Is Pirate Slowly Sinking? (April 18, 2007)
Pirate Queen Attempts Broadway Throne Seizure Tonight (April 6, 2007)
Can Pirate Queen Be Salvaged? (March 23, 2007)
It's Official: Mullally Cast In Young Frankenstein (March 9, 2007)
The Hits From Coast To Coast (March 8, 2007)
Whither Goeth Chenoweth? (February 27, 2007)
Producers Out, Young Frankenstein In (February 22, 2007)
Swashbuckling On Broadway (February 1, 2007)
M-G-M: Movies-Going-Musical (January 3, 2007)
SOB Readers Doubt Pirate Queen Will Float (November 21, 2006)
Bailing Out A Sinking Pirate (November 15, 2006)
Critics Assail The Pirate Queen (October 31, 2006)
Young Frankenstein Workshop To Feature Monster Casting (October 11, 2006)
The Pirate Queen (The SOB Review) – Cadillac Palace Theatre, Chicago, IL (October 30, 2006)
The Pirate Queen Sails Into Chicago Opening Tonight (October 29, 2006)
Pirate Queen to Sail Into Broadway's Hilton Theatre (July 27, 2006)
The Pirate Queen Musical to Sail Into Chicago This Fall (May 15, 2006)

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