Thursday, July 29, 2010

Not Enough Came, So It Flies Away

Not Enough Came, So It Flies Away

Forget ol' blue eyes. Here's a couple black eyes with a little red thrown in for good measure.

While a little birdie gave me an early indication that this would occur, Come Fly Away officially posted its closing notice late yesterday afternoon. The show will close September 5, 2010, after 187 regular performances.

For a month, choreographer Twyla Tharp's dance salute to Frank Sinatra has been struggling to break 50% capacity at the box office. Inexplicably, the average ticket price never dropped accordingly.

Last week alone, Come Fly Away increased its capacity a paltry 1.1% over the previous one to a disappointing 49%, yet the average ticket price for the seats sold was still a whopping $91.03. Compare that to the average capacity (84.02%) and average ticket price ($87.85) for all of Broadway last week, and it becomes evident that the producers of Come Fly Away missed an opportunity to increase their audience share (and potential positive word-of-mouth) by discounting their tickets.

In a late gambit, producers even began to sell tickets through the beginning of 2011. But luck would not be a lady for next year, let alone tonight. Yet, just as the producers were announcing the shuttering, they also announced that a national tour is planned.

Personally, although I know Come Fly Away had its advocates, I thought it was the worst show to open on Broadway all last season. As much as I hate to see any show close, all I can say is "bye-bye birdie."

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Thursday, May 27, 2010

Come Fly Away (The SOB Review)

Come Fly Away (The SOB Review) - Marquis Theatre, New York, New York

* (out of ****)

That scream you heard wasn't the one from Karine Plantadit-Bageot near the top of Come Fly Away's tortured second act. No, it was what accompanied the loud thud of this dreadful turkey as if dropped from the sky.

Please don't get me wrong.

I've long admired choreographer Twyla Tharp's exceptional skills beyond the world of modern dance and ballet. Her inspired movements made "Hair" and Movin' Out sing.

I'd also be remiss if I didn't profess to being a fan of Frank Sinatra's incredible oeuvre that spanned the last two-thirds of the 20th Century and then some. With a silky voice and cool swagger, there's a reason why "Ol' Blue Eyes" was popular music's "Chairman of the Board."

But it's hard to imagine Sinatra wanting to sit at the head of this table. It's hardly set with any real book (Tharp receives credits for concept and book) or captivating choregraphy. Instead, it feels as if we've gone to a bar for an after-after-after party where all the decent people have already headed home. With the exception of Marty (Charlie Neshyba-Hodges), a forlorn waiter with eyes for one of his patrons, there's rarely any sizzle and certainly no sparkle.

Least among all the shows opening on Broadway this past year, Come Fly Away masquerades as a musical in the way Burn The Floor did earlier in the season. But unlike Burn The Floor, which at the very least had cohesive, exhilarating choreography, this lackluster snoozefest never really soars, let alone takes wing.

But then again, turkeys simply can't fly very well, can they?

This is Steve On Broadway (SOB).

In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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