Thursday, May 27, 2010

Come Fly Away (The SOB Review)

Come Fly Away (The SOB Review) - Marquis Theatre, New York, New York

* (out of ****)

That scream you heard wasn't the one from Karine Plantadit-Bageot near the top of Come Fly Away's tortured second act. No, it was what accompanied the loud thud of this dreadful turkey as if dropped from the sky.

Please don't get me wrong.

I've long admired choreographer Twyla Tharp's exceptional skills beyond the world of modern dance and ballet. Her inspired movements made "Hair" and Movin' Out sing.

I'd also be remiss if I didn't profess to being a fan of Frank Sinatra's incredible oeuvre that spanned the last two-thirds of the 20th Century and then some. With a silky voice and cool swagger, there's a reason why "Ol' Blue Eyes" was popular music's "Chairman of the Board."

But it's hard to imagine Sinatra wanting to sit at the head of this table. It's hardly set with any real book (Tharp receives credits for concept and book) or captivating choregraphy. Instead, it feels as if we've gone to a bar for an after-after-after party where all the decent people have already headed home. With the exception of Marty (Charlie Neshyba-Hodges), a forlorn waiter with eyes for one of his patrons, there's rarely any sizzle and certainly no sparkle.

Least among all the shows opening on Broadway this past year, Come Fly Away masquerades as a musical in the way Burn The Floor did earlier in the season. But unlike Burn The Floor, which at the very least had cohesive, exhilarating choreography, this lackluster snoozefest never really soars, let alone takes wing.

But then again, turkeys simply can't fly very well, can they?

This is Steve On Broadway (SOB).

In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Friday, June 12, 2009

Burning Broadway's Boards

Burning Broadway's Boards

Yes, it's still illegal to shout "Fire" in a crowded theatre.

But that won't stop producer Harley Medcalf from mounting his Burn The Floor Ballroom dance spectacular at Broadway's Lyceum Theatre next month for a twelve week limited engagement. Burn The Floor comes hot on the heels of the sudden departure of reasons to be pretty, which posted its closing notice for this Sunday after going home empty-handed from the Tony Awards.

If you're a fan of the popular ABC television program "Dancing With The Stars," chances are you'll enjoy this show, which mixes Ballroom and Latin dancing. The promotion for the show labels it "Ballroom dance with a sexy 21st Century edge."

Choreographed by Anthony van Laast of Mamma Mia! fame, the show has toured around the world, including here in the United States at Las Vegas, Atlantic City and Florida's Busch Gardens.

Medcalf provides the history of Burn The Floor:
The original idea of Burn the Floor came in a burst of color and energy. I was witness to a scintillating display of Ballroom and Latin dancing at Sir Elton John’s 50th birthday celebration at the Hammersmith Palais Ballroom, London in 1997. In the midst of a glamorous costumed evening, Sir Elton, the ultimate host, the party in full swing, 16 young energetic dancers mesmerized the packed room in a 10 minute dance display. For me it was just the spark of an idea then.

I was soon to meet and discover the Ballroom dance world, its people with their intensity, commitment, discipline and work ethic. These ideas would become my inspiration. It was the dancers themselves that provided the real motivation, their good nature, openness and sheer talent combined with a burning passion and love of dance.

Whether or not this burst of energy is enough to light Broadway on fire this summer remains to be seen, but as a fellow theatre blogger quipped to me, "at least it's a tenant for the underused Longacre."

This is Steve On Broadway (SOB).

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