Monday, December 07, 2009

SOB's Favorite Shows Of The Noughties: #21 - My Fair Lady

SOB's Favorite Shows Of The Noughties: #21 - My Fair Lady (2001, Drury Lane Theatre Royal, London, UK)

Introduction: Hard as it is to comprehend that we're already 119 months into this "new" millennium, we are fast approaching the end of its first decade. While we have yet to agree on what exactly we should call the '00s, I'll take a cue from the fine folks at The Times of London and the BBC and henceforth refer to them at the Noughties.

With that small introduction, I'm pleased to present my list of plays and musicals that wowed me the most during that time. Out of the hundreds and hundreds of shows I've seen over the last ten years, I give you my countdown of my 25 personal favorite shows of the Noughties.

When director Trevor Nunn teamed up with producer Cameron Mackintosh for a 2001 revival of Alan J. Lerner and Frederick Loewe's masterpiece My Fair Lady in London, right around the corner from the musical's opening scene at Covent Garden, who would have predicted it would be so exhilarating and sublime? Not only did they make beautiful music together, but with Matthew Bourne's innovative choreography that could have danced all night, their incarnation soared.

This revival also marked my first-ever opportunity to see the magnificent Jonathan Pryce on stage. Watching him as Henry Higgins was truly a master class in acting. Teamed with a thoroughly excellent cast, it hardly mattered that understudy Alexandra Jay was performing -- exceptionally, I might add -- in the role of Eliza Doolittle.

While a touring company brought Nunn's My Fair Lady to North American audiences, it failed to materialize as it should have on Broadway. Thankfully, with a little bit of luck, my memories of that London mounting will remain fresh as a flower for years to come.

This is Steve On Broadway (SOB).

In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post. I paid my own way for this performance.



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Thursday, August 03, 2006

San Francisco to Host North American Premiere of Matthew Bourne's Edward Scissorhands


San Francisco to Host North American Premiere of Matthew Bourne's Edward Scissorhands

Dates have been confirmed for the North American premiere of celebrated choreographer Matthew Bourne's beautiful, yet haunting musical without words, Edward Scissorhands. The production will debut in San Francisco just in time for the Holidays -- November 11-December 10 -- as part of the city's Best of Broadway series.

Last Thanksgiving, I was in London to take in the world premiere of this masterful adaptation of Tim Burton's 1990 film tale at Sadler's Wells. Edward Scissorhands offers stylized dance to "tell" its story about:

"a boy created by an eccentric inventor who dies leaving him alone and unfinished. Left with only scissors for hands, Edward must find his place in a strange new suburban world where the well meaning community struggle to see past his strange appearance to the innocence and gentleness within."
I've now been very fortunate to see Bourne's intriguing and often downright sexy choreography a half dozen times, including his West End work on Oliver!, My Fair Lady and Mary Poppins, as well as stateside touring productions of his renowned Swan Lake and the superb, sexually turbo-charged The Car Man. Without a doubt, he is probably the singular most important, vital choreographer in theatre today. Despite his previous recognition -- and Tony -- for his work on Swan Lake, I'm hoping that Mary Poppins will finally cement his reputation on Broadway. Certainly, the American tour of Edward Scissorhands won't hurt.

This is Steve On Broadway (SOB).

Click here for ticket information.


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