Tuesday, February 26, 2008

No Exaggeration: Dead To Depart Broadway

No Exag-geration: Dead To Depart Broadway

Promotions of Is He Dead?'s Broadway death had been an exaggeration. Adverts touted "last weeks" for Mark Twain 's long lost comedy for, well, weeks.

But today, official news came that the generally well-reviewed show would close at Rialto's Lyceum Theatre on March 9 after just 105 performances.

Adapted by David Ives and directed by Michael Blakemore, Is He Dead? had a deliriously delightful cast, including Norbert Leo Butz, Michael McGrath, Tom Alan Robbins, Jeremy Bobb, John McMartin, Jenn Gambatese, Byron Jennings and the hysterically funny David Pittu.

When I caught the show on its opening night (OK, it was really an afternoon), I laughed out loud early and often. It's a shame the show never could find its audience. Last week, the comedy's average ticket price was a mere $46.83 -- with a capacity of only 53%, it's no wonder that with a total box office take of $182,931, the show finally posted its closing notices despite its best attempts to raise from the dead.

If you haven't seen this show yet and are desperately in need of a good solid laugh, go see it now!

Update (February 26, 10:45 p.m. EST): Late word this evening that the acclaimed London transfer of Macbeth will be taking Is He Dead?'s Lyceum berth beginning at the end of March for a limited eight week run.

This is Steve On Broadway (SOB).

Click here for tickets.
Related Stories:
This Goes Out To All The Lovers (Of Theatre) (February 14, 2008)
Show Deals: Breaking The Code (February 10, 2008)
Is He Dead? Not Even Close Among Critics (December 10, 2007)
Is He Dead? (The SOB Review) (December 10, 2007)
Resurrected Is He Dead? Opens (December 9, 2007)
Discounted Is He Dead? Is Alive Again On Broadway (December 1, 2007)
All Of Great White Way Gleams Tonight (November 29, 2007)
Never Say Never The Twain Shall Meet (August 1, 2007)

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Thursday, February 14, 2008

This Goes Out To All The Lovers (Of Theatre)

This Goes Out To All The Lovers (Of Theatre)

Now that Valentine's Day has arrived, why not take that special someone to Broadway to see a show?

Here are my picks that will bring out the romantic in you:

Curtains - Sure it's a backstage murder mystery musical, but it's also filled with plenty of romance. And what's not to love about David Hyde Pierce's dance sequences?

Is He Dead? - The whole premise of this hysterically funny comedy is ostensibly built around amour with Norbert Leo Butz's as French painter Jean-François Millet.

Mamma Mia! - Guilty pleasure? Absolutely. But I dare you not to have fun (or be singing along during the curtain call concert).

Wicked - In the end, it's all about both the love of friends and lovers. Only a Tinman could not be moved.

Xanadu - The campiest way to wheel her (or him) in!

This is Steve On Broadway (SOB).

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Sunday, February 10, 2008

Show Deals: Breaking The Code

Show Deals: Breaking The Code

So you want to see a show? For less?

Here are some current deals -- and the best part is you don't have to wait in the TKTS line to take advantage of them:

The Show:
Grease (Brooks Atkinson Theatre, Broadway)

The Deal:
Save up to 35% with select select orchestra/front mezzanine seats priced at $71.50 per ticket for performances on Tuesdays, Wednesdays (matinee only), Thursdays, Fridays and Sunday evenings.

The Code:
Click here and use code PLAY or call 212.307.4100 and use same code.

The Fine Print:
Offer valid on select orchestra and front mezzanine locations and subject to availability and prior sale; not valid on prior purchases; cannot be combined with other discounts or promotions. Not valid February 15-17, 2008 and Saturday matinees or evenings or Sunday matinees. This offer can be revoked at any time. Limit 8 tickets per order. No refunds or exchanges. Telephone and Internet orders are subject to standard service fees. All prices include a $1.50 facilities fee. Offer valid through Friday, March 14, 2008.


The Show:
Hairspray (Neil Simon Theatre, Broadway)

The Deal:
Save up to 40% on performances through April 13 with tickets for Tuesdays, Wednesdays and Thursdays priced at $65 (orchestra/front mezzanine) and $55 (mid mezzanine). Tickets for Fridays, Saturdays (matinee only) and Sundays priced at $70 (orchestra/front mezzanine) and $65 (mid mezzanine).

The Code:
Click here and use code TMEB2 or call 212.307.4100 using same code.

The Fine Print:
Offer not valid for Saturday evening performances, February 15-17 or March 20-23. Offer subject to availability and prior sale. Applicable only to specified performance dates and times. Not valid on previously purchased tickets and may not be combined with any other offers. All sales final; no refunds or exchanges. Cast subject to change. Blackout dates may apply. Telephone/Internet orders subject to standard Ticketmaster service fees. Limit 8 tickets per order. Offer may be revoked at any time. Expires April 13, 2008.

The Show:
Is He Dead? (Lyceum Theatre, Broadway)

The Deal:
Save up to 50% off tickets, priced at $55 (orchestra), $45 (mezzanine) and $40 (balcony) for all performances.

The Code:
Click here and use code IHPBX55 or call 212.947.8844 and use same code.

The Fine Print:
All prices include a $1.50 facilities fee. Offer valid on select seat locations through March 16, 2008. Blackout dates may apply. Subject to availability and prior sale. Normal service charges apply to phone and Internet orders. Cannot be combined with any other offers or discounts and not valid on prior purchases. Offer may be revoked or modified at any time without notice. All sales final -- no refunds or exchanges.


The Show:
Rent (Nederlander Theatre, Broadway)

The Deal:
Save up to 50% with orchestra seats priced at $65 and front row mezzanine seats priced at $55.

The Code:
Click here and use code PBILL08 or call 212.307.4100 using same code.

The Fine Print:
Offer valid for all performances except Saturday evenings from February 2, 2008-March 23, 2008. Tickets must be purchased by February 15, 2008. Limit 8 tickets per order. All sales are final -- no refunds or exchanges. Blackout dates may apply. Offer is subject to availability and prior sale. Not valid in combination with any other offers. Offer may be revoked at any time.


The Show:
Sunday In The Park With George (Studio 54, Broadway)

The Deal:
Save 40% on performances through February 20 with tickets priced $22.25-$73.25. Or save 30% on performances for February 22-April 27 with tickets priced at $25.75-$85.25.

The Code:
Click here and use code SPPBOL2 or call 212.719.1300 using same code.

The Fine Print:
Offer valid on select seating for performances through April 27, 2008. Must order by February 21, 2008. This offer cannot be combined with any other discount and is not applicable to previously purchased tickets. Limit six tickets per order. All sales are final. No refunds or exchanges. Offer subject to availability and includes a $1.25 facilities fee. Normal phone and Internet service charges apply. Offer may be modified or revoked at any time without notice.

Enjoy!

This is Steve On Broadway (SOB).

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Monday, December 10, 2007

Is He Dead? Not Even Close Among Critics

Is He Dead? Not Even Close Among Critics

Yesterday afternoon, Mark Twain's long-lost unpublished work (at least until 2003) Is He Dead? opened at Broadway's Lyceum Theatre.

Adapted by David Ives and helmed by Michael Blakemore, the comedy stars Norbert Leo Butz as French realist painter Jean-François Millet, along with Jeremy Bobb, Marylouise Burke, Patricia Conolly, Jenn Gambatese, Byron Jennings, Michael McGrath, John McMartin, David Pittu, Bridget Regan and Tom Alan Robbins.

Critics' reviews are in, and most seemed to enjoy the work almost as much as I did.

Cheering the play's "remarkably sprightly step" that left "gold dust" in his eyes, Ben Brantley of The New York Times can never be accused of having no sense of humor again: "Is He Dead?, which opened last night at the Lyceum Theater, benefits mightily from a top-grade team of resurrection artists. They include the director Michael Blakemore, the playwright David Ives (who adapted Twain’s script) and an infectiously happy cast, led by the wondrous Norbert Leo Butz, that serves a master class in making a meal out of a profiterole....[O]nce Mr. Butz puts on a pink dress, this Tony-winning comic actor...who had been rather flavorless in his opening scene, shows the true comic genius of which he is made. From that moment the whole production feels as if it’s been pumped through with nitrous oxide. Jokes you would swear you would never laugh at suddenly seem funny."

Registering "high on the mirth meter" for David Rooney of Variety, he echoes the enthusiasm: "it's a welcome surprise that in its Broadway premiere, director Michael Blakemore, adapter David Ives and a spirited cast led by human whoopee cushion Norbert Leo Butz have turned this trifle into a ripely enjoyable confection....Ives clearly has had a significant hand in ironing out the kinks, but the irreverent potshots at cultural pretentiousness and the hypocrisies of the art world are typically Twainian....The most consistent delight is the gifted Butz....Butz is a riot. He's so utterly relaxed and in command onstage that he appears to be making up Daisy's dialogue as he goes along."

Praising it as "riotously funny," the Associated Press' Michael Kuchwara heaps on the laurels: "Done up in drag, (Butz) is the fireplug who jump-starts Is He Dead? — a long-lost Mark Twain farce adapted by David Ives and directed by Michael Blakemore with a sure ear for language and an even surer eye for physical comedy. Their teamwork is one of the most felicitous collaborations of the season....Best of all is David Pittu, who in a variety of roles, plays a foppish English art buyer, an unctuous manservant and the king of France. Quite a range -- and all of them immensely comic."

Calling it "very amusing," Joe Dziemianowicz of New York's Daily News is also singing praises for the Dead: "Director Michael Blakemore (Noises Off) hasn't just awakened the Dead. He and his cast, some of the best comic actors in New York, have turned an old-fashioned, sometimes wobbly piece of material into a delightfully silly and entertaining evening....Headlining the cast, Tony winner Norbert Leo Butz...proves that in pants or a dress, he's Broadway's finest, funniest and most appealing rascal."

Feasting on a "barrage of sidesplitters," Bloomberg's John Simon is similarly taken: "As directed at the Lyceum on Broadway by the dependable Michael Blakemore and with an expert cast surrounding that slapstick dynamo Norbert Leo Butz, it emerges very comic indeed....It is hard to say which is funnier as Butz plays the widow: his successful travesty of femininity or his hilarious lapses out of it....Byron Jennings's caricature of a melodrama villain, like John McMartin's amorously dithering elder, add welcome touches of Daumier to the Millets on display. David Pittu, as a quartet of farcical characters, conjures fourfold fun."

Concluding that its "subtly nutsy ensemble performance" is hard to resist, New York Post's Clive Barnes offers two and a half stars: "Frankly, Twain's play (even with Ives' tinkering) is pretty feeble....Yet Twain (and Ives) have struck it rich with Blakemore, the set designer Peter J. Davison, the costume designer Martin Pakledinaz and a cast that can spin gold out of lead. Of his own paintings, the real-life Millet observed: "I make the trivial an expression of the sublime." And that pretty much sums up what Blakemore, Butz & Co. achieve here.
Critics seem to enjoy it almost as much as me.

Once again, Newsday's Linda Winer is having none of it, try as she might not to laugh: "Is He Dead? is a bit more than a curiosity but far less than a lost masterwork....Blakemore and Ives offer lots of exaggerated comic asides, mistaken identities and multiple doors to hide plot devices. The result reminds me of the sort of annoying person who keeps tickling you until, finally, you're forced to laugh despite your better judgment. We suspect that Twain, bankrupt at 63 and depressed by the death of his daughter, was going for more than goofy humor here. He wondered why artists had to die in order to succeed. We're forced to wonder if this would be on Broadway if a living playwright had written it."

With only the big Winer providing the wurst of the reviews -- sorry, I had to throw that in given the comedy's sausage joke -- expect the box office to boom with audiences clamoring to have fun again at the theatre.

This is Steve On Broadway (SOB).

Click here for tickets.
Related Stories:

Is He Dead? (The SOB Review) (December 10, 2007)
Resurrected Is He Dead? Opens (December 9, 2007)
Discounted Is He Dead? Is Alive Again On Broadway (December 1, 2007)
All Of Great White Way Gleams Tonight (November 29, 2007)
Never Say Never The Twain Shall Meet (August 1, 2007)

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Is He Dead? (The SOB Review)

Is He Dead? (The SOB Review) - Lyceum Theatre, New York, NY

*** (out of ****)

If America's quintessential humorist Mark Twain is looking down on Broadway's Lyceum Theatre these days, he's no doubt enjoying quite a laugh. I know I sure did in spades.

His last produced play -- a bomb called Colonel Sellers As A Scientist -- was DOA when it opened and closed the same day on an earlier Lyceum stage in New York City back in 1884.

It seems apropos that less than one year after first letting the world know in 1897 that "The report of my death was an exaggeration," Twain would write a play Is He Dead? that practically went to the grave with him in 1910.

The irony of course is that nearly 100 years later, Twain is most definitely alive and -- well -- well once again on Broadway thanks to the discovery and resurrection in 2003 of the comedy that's at once bully good and full of real belly laughs.

This roaring ripsnorter has been successfully resuscitated via master defibrillator Michael Blakemore, whose proficient hand delivers exactly the right electric jolt needed to bring David Ives' adaptation completely to life. As the Tony winning director demonstrated via Noises Off, he clearly knows his way around a good farce. And despite the play's age, Blakemore ensures that it doesn't feel like some moldy oldie or in desperate need of disinfectant (unlike the rancid Broadway revival of The Ritz that closed last evening).

Is He Dead? is a spirited, fantastical romp that reimagines how the great French realist painter Jean-François Millet (1814-1875) achieved fame and fortune. Unlike Aaron Sorkin, who's infamously been accused of turning fact on its head in a little Rialto show that opened last week, Mark Twain made no pretense about fictionalizing his subject's life. Instead, Train freely admitted that he had "'taken the pardonable liberty to highly antedate' the bidding wars over Millet's Angelus that had occurred after Millet's death," according to Shelley Fisher Fishkin's fascinating book about her discovery of the long lost script for Is He Dead?

Since others had been prone to exaggerate Twain's own death, not long after the 1896 loss of his 24 year old daughter Susy, Twain was in need of some rejuvenating tonic to bring his own spirits up. According to Fisher Fishkin, he largely succeeded in that task when writing Is He Dead?

Twain fantasizes that Millet (an outrageously flamboyant Norbert Leo Butz) has an epiphany. His works would be worth more if he was dead. With a trio of conspirators in Agamemnon "Chicago" Buckner (Michael McGrath aping Nathan Lane), Hans von Bismarck (a terrific Tom Alan Robbins, who makes the most with the wurst jokes) and Phelim O'Shaughnessy (a naturally gifted comedian Jeremy Bobb), Millet fakes his own death only to come back as his own "identical" sister, the Widow Daisy Tillou (that's "to you" to you).

As the Widow Daisy, Millet reaps the windfall as the price of his paintings skyrockets, even upon the news of his supposed mortal illness. Daisy shares the largess with Papa Leroux (an exceptional John McMartin) --father of Millet's beloved Marie Laroux (an iridescent Jenn Gambatese) -- whose stratospheric debts to the dastardly Bastien Andre (a most amusing Byron Jennings) threaten to cast him in the street.

Months later, Millet is living in style, as are his friends -- certainly aided by Peter J. Davison's glorious set design and period costumes by Martin Pakledinaz. Yet success is dampened by Andre, who holds a contract with Millet for 25 of his paintings, which he now demands since they've increased exponentially in value. Unless, that is, if Daisy agrees to be his wife.

Through plenty of predictable plot twists, as well as unexpected turns that'll have you wondering whether Twain may have been favorably inclined to the notion of Boston Marriages, Is He Dead's best asset is the biggest surprise: the hysterically funny David Pittu. With amazing finesse and superb comic timing, Pittu portrays four wide-ranging foils, thus giving Butz a run for his funny money. He ends up summarily stealing the show.

Is He Dead? may possess many good old-fashioned one-liners, but it's more than just some amusing little chestnut come back from the dead. The work succeeded in making me laugh out loud early and often, making every inch of me feel, well, alive.

And isn't that what a decent comedy is supposed to do?

This is Steve On Broadway (SOB).

Click here for tickets.

Related Stories:
Resurrected Is He Dead? Opens (December 9, 2007)
Discounted Is He Dead? Is Alive Again On Broadway (December 1, 2007)
All Of Great White Way Gleams Tonight (November 29, 2007)
Never Say Never The Twain Shall Meet (August 1, 2007)

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Sunday, December 09, 2007

Resurrected Is He Dead? Opens

Resurrected Is He Dead? Opens

This evening, the fifth Broadway opening of the past week occurs at the Lyceum Theatre. The long-lost Mark Twain work Is He Dead? is adapted by David Ives and directed by Michael Blakemore.

Even more intriguing is the comedy's casting of Tony winner Norbert Leo Butz in his first non-musical role on Broadway. Butz will portray artist Jean-Francois Millet, an artist who thinks the value of his work will increase if everyone presumes he's dead.

Butz isn't the only actor I'm paying to see. I'm pleased that he'll be sharing the stage with such former Tony nominees as David Pittu, Michael McGrath and John McMartin, as well as theatre favorite Byron Jennings.

Will critics think this comedy was worth resurrecting, or call it dead on arrival? Find out tomorrow as I not only present my regular critics' capsule of top theatre critics, but also share my very own SOB Review.

This is Steve On Broadway (SOB).

Click here for tickets.
Related Stories:
Discounted Is He Dead? Is Alive Again On Broadway (December 1, 2007)
All Of Great White Way Gleams Tonight (November 29, 2007)
Never Say Never The Twain Shall Meet (August 1, 2007)

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Saturday, December 01, 2007

Discounted Is He Dead? Is Alive Again On Broadway

Discounted Is He Dead? Is Alive Again On Broadway

Two evenings ago, the "latest" play from the oeuvre of American literary giant Mark Twain was supposed to have opened at Broadway's Lyceum Theatre. But a little thing called a stagehands strike caused a delay in plans.

While the official opening night for Is He Dead? has now shifted to December 9, you can take advantage of exceptional discounts on tickets with seats as low as $45. All you need to do is click here or call 212.947.8844 and provide code IHGEN07. (My apologies, but I was not provided any fine print here so suffice it to say that various restrictions may apply).

This is Steve On Broadway (SOB).

Related Stories:
All Of Great White Way Gleams Tonight (November 29, 2007)
Never Say Never The Twain Shall Meet (August 1, 2007)

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Wednesday, August 01, 2007

Never Say Never The Twain Shall Meet

Never Say Never The Twain Shall Meet

According to Playbill, Mark Twain will live on the Great White Way once more when his long lost Is He Dead? opens this fall, thanks to an adaptation by David Ives. The play is scheduled to begin previews on November 9 at the Lyceum Theatre, with an opening set for November 29.

Perfectly timed to give audiences an American treasure to be thankful for, the Michael Blakemore-helmed show will surely capture additional buzz thanks to its lead. Norbert Leo Butz -- one of my personal favorite stage actors -- will return to Broadway for his first time since his Tony-winning turn in Dirty Rotten Scoundrels.

While Twain wrote Is He Dead? at the close of the 19th Century, the work was unpublished until Shelley Fisher -- a noted Samuel Clemens expert -- rediscovered it. The comedy's plot surrounds a staged death of an artist designed to drive up the bidding on his oeuvre.

While I wouldn't hesitate to see Butz perform again, one wonders whether he's being typecast in con men roles. Let's just hope this is the role of a lifetime.

This is Steve On Broadway (SOB).

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