Sunday, December 27, 2009

SOB's Theatrical Firsts Of The Noughties: Seeing Shows In Every Broadway House

SOB's Theatrical Firsts Of The Noughties: Seeing Shows In Every Broadway House

Over the course of the last decade, I’ve been truly fortunate to enjoy a number of enlightening firsts in my personal theatergoing that have only served to increase my deep and abiding love for the art form known as live theatre. What follows is one of my ten favorite experiences of the last ten years.

If you are a regular reader of Steve On Broadway, you may recall back in September of this year when I finally made my way to Broadway’s Majestic Theatre to finally see a performance of Andrew Lloyd Webber's iconic The Phantom Of The Opera, the longest running show in the Great White Way’s history. And what a performance to attend as they celebrated the show’s 9,000th performance milestone, albeit one day early.

Of course, my sole reason for attending was to scratch one last Broadway house off my list, and I guess you can say I did it in style since The Phantom Of The Opera celebrated its 9000th performance the afternoon I went. It came after just over 24 years after taking my first Broadway show at the Winter Garden Theatre for another Andrew Lloyd Webber hit, Cats, in 1985.

But about the time in September I was crowing I had been to every single Broadway theatre, another newly refurbished one was going back online. With its façade being the only remnant from its original theatre, the entirely new Henry Miller’s was making its Broadway debut with Bye Bye Birdie as its first occupant. As I try to see every new show that opens, I dutifully made my way to Henry Miller’s in October and this time, for real, I scratched every last legit Broadway house off my list.

P.S. If you're wondering which Broadway venue I've seen the most shows in, that would be the Booth Theatre, where I've taken in 10 different productions, bookended by two musicals: the 1992 revival of The Most Happy Fella and the current hit next to normal.

This is Steve On Broadway (SOB).

In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post. I paid my own way for each performance.

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Friday, May 29, 2009

38 Down, One To Go (Plus One)

38 Down, One To Go (Plus One)

Even if I wasn't so enamored by the current revival of Guys And Dolls, it did afford me the opportunity of crossing another Broadway theatre off my list. Thirty-eight down, one more to go ... if you don't count that "new" theatre coming to a Broadway near you in September.

It may be heresy to other theatre lovers, but up until seeing Guys And Dolls during one of its last previews prior to opening, I had never set foot inside the wonderfully restored Nederlander Theatre (pictured here, photo by Matthew Blank). That's right, I never saw its previous occupant Rent there, even though it squatted at the Nederlander through 5,123 performances. Fear not, Rent-heads, I actually took in the very first "Angel" touring company of Rent during its initial stint in Boston (way back in 1996), as well as a later tour of St. Paul (2000).

Which of Broadway's current 39 theatrical venues have I visited the most? That would be the Booth Theatre -- home to countless prestige shows and arguably the Great White Way's most uncomfortable seats -- beginning with the 1992 revival of The Most Happy Fella and as recently as its current occupant, next to normal. Which brings me full circle: Frank Loesser wrote the scores to both Guys And Dolls and The Most Happy Fella , while Michael Greif directed both Rent and next to normal.

So, dear readers, how many Broadway theatres have you visited? And do you think I should just bite the bullet and finally see that last remaining show (even though I have seen it in London, Los Angeles and Las Vegas) to round out my overall Rialto experience?

This is Steve On Broadway (SOB).

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