Second Verse, Better Than The First
Two nights ago, I had a fabulously ridiculous dream.
In it, I was seeing a Broadway show alongside The New York Times' critics Ben Brantley and Charles Isherwood, two men I've never met in person, but have certainly observed. It was a bizarre dream to be sure, especially since much like the rest of last season, I found myself disagreeing with Isherwood's assessment of the show, but agreeing with Brantley's (fortunately in this phantasm, the Gray Lady's senior critic was responsible for writing the review).
Imagine my delight upon waking to find myself agreeing with Isherwood regarding his excellent assessment of replacement casts.
In particular, I could not agree with him more that A Little Night Music constitutes the "must-see" production this summer. It's been positively transformed, largely on the heartstopping performance of Bernadette Peters. So transformative was her rendition of "Send In The Clowns" that you could hear a pin drop as she delivered it.
Having also seen Peters and her replacement Reba McEntire in the most recent Broadway revival of Annie Get Your Gun, I have to admit to concurring with his assessment that McEntire's performance eclipsed that of the tried-and-true Broadway Baby she replaced. I enjoyed Bernadette Peters in the title role, but the scrappy McEntire was born to play Annie Oakley. It is rather ironic that until I saw Peters as Desiree Armfeldt, Reba McEntire was my favorite Broadway replacement I ever had the thrill of seeing.
Additional props to Isherwood not only for discussing how truly disappointing the successors to Nathan Lane and Matthew Broderick were in The Producers, but also for mentioning the fine replacements Jonathan Pryce and Estelle Parsons made for John Lithgow (Dirty Rotten Scoundrels) and Deanna Dunagan (August: Osage County), respectively. While I thought Pryce's sophisticated delivery of the con artist Lawrence was an improvement over Lithgow, I'm convinced after beholding Dunagan perform as Violet Weston yet again last week that no one can ever quite match her bravura Tony Award-winning performance.
That goes double, by the way, for Dunagan's co-star Rondi Reed as Mattie Fae Aiken. I've witnessed two other actresses attempt making that delicious role their own. Try as they might, neither could erase my fond memory of the quintessential Mattie Fae. Coincidentally, Reed has also succeeded in winning my heart as the absolute best of the dozen or more Madame Morribles I've ever seen in Wicked.
So, dear readers, who are your favorite replacements? Or if your fabulously ridiculous dreams could come true, whom would you want to see as replacements in a current Broadway show?
This is Steve On Broadway (SOB).
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Labels: A Little Night Music, Annie Get Your Gun, August Osage County, Bernadette Peters, Broadway, Charles Isherwood, Deanna Dunagan, Jonathan Pryce, Reba McEntire, Replacements, Rondi Reed, Wicked



