Thursday, January 08, 2009

Frost/Nixon (The SOB Revisit)

Frost/Nixon (The SOB Revisit) - State Theatre, Minneapolis, Minnesota

*1/2 (out of ****)

You'd think that all the ongoing Oscar buzz generated by the film progeny of Broadway's Frost/Nixon would be enough to place everyone associated with the current national tour squarely on their "A" game.

With stage director Michael Grandage apparently phoning it in with a lackluster ineffectual cast, I'm sorry to say that you'd be very wrong.

Granted, I just saw the silver screen incarnation over the past two weeks, and yes, I thought it better than the original Broadway mounting (see my 2007 SOB Review here). But this touring production pales dramatically in every sense of the word and is likely to disappoint the throngs of filmgoers who have been inspired to seek out the source material. If ever I doubted the extraordinary ability of Frank Langella and Michael Sheen to rise above Peter Morgan's script, those doubts have forever been put to rest, even as the current cast sinks beneath it.

First and foremost, Stacy Keach is just plain wrong as Richard Nixon. Keach is a distinguished actor, to be sure, but he only rarely achieves any of the Nixonian cadences and posturing Langella effortlessly mastered. Sure, Langella may only bear a fleeting approximation to Nixon, but he had me believing. Even Bob Ari, the actor who portrays Robert Zelnick doing a Nixon impersonation is better (Ari also understudies Keach, after having understudied Langella on Broadway). The overly robust Keach, on the other hand, doesn't even seem to try, instead eerily coming off more like the personification of Peter Griffin of television's "Family Guy."

Speaking of cartoonish performances, Alan Cox as David Frost infuses his characterization with a mad dash of Austin Powers. Sadly, to say that he gives the best performance of the evening is not saying much.

Perhaps the worst is the laughably miscast Brian Sgambati as James Reston, a narrative role intended to provide an undercurrent of moral and righteous indigation. However, Sgambati's Reston is merely a boy scout, exhibiting an inappropriately earnest gee-whiz half smile that makes questioning of whether Frost should work with this "loose cannon" completely incongruous -- loose marble is more like it.

Do yourself a favor, save your loose change and go see the far superior film version of "Frost/Nixon" with Langella and Sheen in lieu of the impeachable tour. It's one of the few times I've ever recommended a silver screen incarnation over a live stage show.

This is Steve On Broadway (SOB).

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Monday, December 29, 2008

Frost/Nixon Better On Silver Screen

Frost/Nixon Better On Silver Screen

Just when I thought it was not possible for a film to be better than its stage precursor, along comes Ron Howard's enthralling big screen adaptation of Peter Morgan’s play Frost/Nixon.

Please don't get me wrong. Nothing can match seeing Frank Langella as U.S. President Richard Nixon duke it out with Michael Sheen as British television talk show host/gadfly/womanizer David Frost live on stage. Both were superb, and Langella was completely deserving of the Tony Award he received for his portrayal of our disgraced president.

But seeing these two exceptional actors again, now with a completely fleshed out and contextualized story line -- compliments of Morgan himself -- now ensures that Langella and Sheen's stellar performances are matched by the material itself.

Yes, I still have an issue with the ficticious middle-of-the-night telephone call that plays such a pivotal role in this story, especially since most casual observers will believe it to be fact. But that alone should not stop anyone, including students of history, from seeing the film. Or the North American touring stage production, for that matter.

On that note, I'll be taking in one of the early legs of the tour, just so I can compare the two versions of Frost/Nixon once more.

This is Steve On Broadway (SOB).

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