Steve On Broadway (SOB)

More Broadway Bows For Royal Family

More Broadway Bows For Royal Family

When I first learned that theatrical royalty Rosemary Harris would take part in Doug Hughes’ Great White Way revival of The Royal Family this season, I felt more than just a little twinge of excitement. In fact, a tidal wave of thrills cascaded over me.

It wasn’t just because Harris’ casting heralded her long overdue return to Broadway after ten long years (and with it, my first time to see this stage legend tread the boards). It was also in knowing that I’d see Harris performing -- for the second time in her lengthy Broadway career -- as a member of the fictional, first family of theatre created by George S. Kaufman and Edna Ferber in 1927, and thus, creating a little added stage history in the process.

The English-born Harris first appeared in a Rialto production all the way back in 1952's The Climate of Eden and has since appeared in 23 other productions. Nominated for eight Tony Awards through the years, Harris earned her one and only honor portraying Eleanor in The Lion in Winter (1966).

The latest incarnation of The Royal Family being staged, this time at the Manhattan Theatre Club’s Samuel J. Friedman Theatre, marks the fourth Main Stem outing for the Cavendish clan. What’s truly remarkable about Harris’ participation is that she now lays claim to being in two of those four productions, having earned a Tony nomination for Best Actress in the last revival produced at the Helen Hayes Theatre during the final hours of 1975 and first seven months of 1976.

Then, under former husband Ellis Rabb’s Tony-winning direction, Harris took on the role of Julie Cavendish, daughter of Fanny as portrayed by Eva Le Gallienne. Julie’s brother Tony, Aunt Kitty and Uncle Herbert were played by, respectively, the late great George Grizzard, Mary Louise Wilson and Joseph Maher. Rabb’s revival lasted 233 performances.

Now, in the 2009 revival, Harris takes on the play’s matriarch Fanny to Jan Maxwell’s Julie, Reg Rogers’ Tony, Ana Gasteyer’s Kitty and John Glover’s Herbert. Tony Roberts, Larry Pine and Freddy Arsenault are also in the cast.

The initial revival for The Royal Family clocked in at 15 performances at the City Center in January 1951. Its cast included Ruth Hussey as Julie, Ethel Griffies as Fanny, John Emery as Tony, Olive Blakeney as Kitty, Bernard Nadell as Herbert and even a younger Ossie Davis as Jo.

As noted above, The Royal Family was originally mounted on the Great White Way back in 1927 -- the same year motion pictures became “talkies” – opening at Broadway’s Selwyn Theatre on December 28, 1927. Under David Burton’s direction, the thee act play starred Ann Andrews as Julie, Haidee Wright as Fanny, Otto Kruger as Tony, Catherine Calhoun Doucet as Kitty and Orlando Daly as Herbert. The play was such a tremendous success that it ran for 345 performances through October 1928.

Could it be that this latest revival will be a Royal flush with success? With Harris leading a superb ensemble, as well as reportedly lavish scenic and costume designs from John Lee Beatty and Catherine Zuber, respectively, perhaps it’s no wonder the initial buzz I’m hearing from previews is already extraordinarily favorable.

The limited run for The Royal Family opens October 8, and I’ll provide my SOB Review shortly thereafter.

This is Steve On Broadway (SOB).

Labels: Ana Gasteyer, Best New Plays, Broadway, Doug Hughes, Edna Ferber, George S. Kaufman, Jan Maxwell, John Glover, Reg Rogers, Revival, Rosemary Harris, The Royal Family, Tony Roberts

posted by Steve On Broadway (SOB) @ Monday, September 28, 2009 4 comments

Waiting For Godot (The SOB Review)

Waiting For Godot (The SOB Review) – Studio 54, Roundabout, New York, New York

** (out of ****)

Samuel Beckett is an acquired taste. There, I've said it.

I had joked shortly before my performance that I’d been waiting my entire life to see Waiting For Godot. I could have waited a lot longer.


While some may have buzzed ad nauseum about how Anthony Page’s revival may be the best for Beckett’s Waiting For Godot in over 50 years, consider this: more than five long decades have passed since the existential, absurdist play last trod Broadway’s boards.

Make that Broadway boreds.

Maybe it was my decided lack of sleep the night prior to finally seeing this play, but yours truly found himself waiting for just one thing -- that this seemingly interminable play would end. And that was long before the end of Act One.

Sure, there are some terrific performances from a top-shelf cast, lead by Nathan Lane as Estragon and Bill Irwin as Vladimir. In fact, John Glover’s breathtaking turn as the utterly dehumanized and most unfortunate Lucky was among the most haunting portrayals of the last year

But decent performances and present day parallels aside, this was one snooze-inducing revival. And Beckett’s ironic patter about boredom near the close of the first act gave me no encouragement:

ESTRAGON:
In the meantime, nothing happens.
POZZO:
You find it tedious?
ESTRAGON:
Somewhat.
POZZO:
(to Vladimir). And you, Sir?
VLADIMIR:
I've been better entertained.

Yes indeed. Same here. Same here.

This is Steve On Broadway (SOB).

Labels: Anthony Page, Bill Irwin, Broadway, John Glover, Nathan Lane, Play, Revival, Samuel Beckett, The SOB Review, Waiting For Godot

posted by Steve On Broadway (SOB) @ Thursday, June 25, 2009 4 comments