Tuesday, October 02, 2007

Bruce Vilanch Weighs In On Hairspray Experience

Bruce Vilanch Weighs In On Hairspray Experience

Somehow, I missed this highly amusing August Variety piece by comedy writer-cum-musical actor Bruce Vilanch reminiscing about his experience as Hairspray's first touring Edna Turnblad. But it's a great read.

His opening riff is quintessential Vilanch:


OK, so it's no secret that John Travolta and I have fought over many of the same parts. After extensive lobbying sessions with Robert Stigwood, I let John have "Saturday Night Fever." I knew there'd be better roles ahead and, after all, if one kid from Jersey won't do another kid from Jersey a favor, who will? Ain't that right, David Chase?

When "Grease" came along, there was Stigwood again, this time with Allan Carr, and I let go of my Vulcan death grip on that role to John. Again.

When John dropped out of "American Gigolo," I was ready to go, but Paramount insisted I lose a hundred pounds by the next week, so in stepped Richard Gere. You know the rest.

While I was certainly delighted seeing Harvey Fierstein and Marissa Jaret Winokur, along with the rest of the original cast of Broadway's Hairspray, when I learned that the hilarious, hirsute Vilanch would be touring, I made it a point to see the show again.

I not only caught Vilanch & Co. during the tour's 2004 stop in Minneapolis (Vilanch, of course was required to shave off his trademark beard, tranforming himself into an engaging and entertaining Edna), but I also had the unique privilege of dining with this comic genius -- I had been the highest bidder on a dinner with him during an auction to benefit the Minnesota AIDS Project.

This gracious man is seriously funny and very down to earth. He kept me in stitches throughout the meal -- of course, it didn't hurt that he came to dinner wearing one of his signature T-shirts that had a big rooster on it with the words "My" above said bird and "tastes like chicken" scrawled underneath.

While you can count on his witticisms being used in what seems like virtually every major awards show, look for Vilanch to resurface in the new celebrity-packed court show Jury Duty, next year's documentary "Wrangler: Anatomy Of An Icon," and a return to acting in "Tru Loved."

I'm just holding out true hope that Vilanch will return to the stage.

This is Steve On Broadway (SOB).

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Is It Just Me, Or... (June 14, 2006)

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Wednesday, June 14, 2006

Is It Just Me, Or...


Is It Just Me, Or...

...Are there more theatre afficionados out there now than ever before? Broadway topped the 12 million attendance mark for the first time in its long, storied history. Grosses for the year grew 12% to $861.6 million. CBS estimates that its Tony Awards television audience attracted 7.79 million viewers, up 1.29 million from last year and it's the second consecutive year with an increase. Each of the major winning productions received sizable bumps in box office success as of Monday morning. What's more, even touring productions have enjoyed a successful year overall.

...Were Bruce Vilanch and Allee Willis (pictured above) separated at birth? I've met and love them both. But after seeing Willis -- nominated for a Tony as part of the songwriting team for The Color Purple -- on the Tony Awards, I was struck by just how much she resembles a beardless Vilanch. Just curious!

...Would you send a note to a performer prior to buying tickets to see if he/she is actually planning to be in his/her role the night you're planning to attend? I'd really like to see The Drowsy Chaperone but am nervous that Sutton Foster will stiff me for the third time (she was a no-show just a couple weeks after she won her Tony in Thoroughly Modern Millie and then again last year when I saw Little Women).

...Isn't Barbra Streisand being just a tad bit greedy asking $350 and $750 for tickets to her tour?

...Don't Tony Awards count for anything? Months after it was announced that John Travolta got Harvey Fierstein's Edna Turnblad role in the new movie version of "Hairspray," I'm still scratching my head, especially since Travolta hasn't had a decent film since his last comeback in "Pulp Fiction." It's a shame that Hollywood couldn't stick with Fierstein, who made us all but forget Divine from the original movie version and earned a Tony to boot.

...Didn't Sunday's Tony clip of Jennifer Holliday and the commercial for the movie version of "Dreamgirls" get you excited to see this show on the silver screen later this year?

...Isn't it a little insulting to American audiences when London productions get rewritten for the Broadway stage? I saw Taboo and Bombay Dreams on the West End and thought they were great, but then saw them desecrated here. Why must producers mess with success? I shudder to think what they'll do to poor Billy Elliot - The Musical!

Tell me what you think!

This is Steve On Broadway (SOB).

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