Wednesday, October 29, 2008

The Yellow Brick Road Not Taken (The SOB Overview)

The Yellow Brick Road Not Taken (The SOB Overview)

George Gershwin Theatre, New York, NY

As the celebration for the fifth anniversary of Broadway's Wicked continues, Monday night treated fans of the musical to a benefit reading of the tuner's very first draft. Cleverly entitled The Yellow Brick Road Not Taken, the evening served as a fundraiser for the New York Restoration Project.

As entertaining as the evening was -- particularly with previous Elphabas (Stephanie J. Block and Shoshana Bean) and Glindas (Jennifer Laura Thompson and Kate Reinders) mixing it up with the likes of wannabe Madame Morribles (Joy Behar), Boqs (Mark Indelicato), Wizards (George Wendt) and Fiyeros (Daniel Reichard and Matthew Settle) -- it was clear to any Wicked fan that when all was said and done, Stephen Schwartz and Winnie Holzman, who composed the score and wrote the book, respectively, made the right decisions on what to excise and what to keep.

Although not everyone was in finest of voice, Block and Thompson proved yet again why they were such naturals for their roles -- and remember, Block tackled the role of Elphaba in early readings prior to Idina Menzel taking over the role for the show's Broadway debut.

There were plenty of ad-libbed moments, ranging from comments on how it was painfully obvious why something had long since been altered to the political. Mario Cantone compared the old goat that is Wicked's Dr. Dillamond to John McCain, while Behar, in delivering Madame Morrible's screed on Elphaba, threw in a reference to Sarah Palin by adding, "this witch, this hockey mom." Another ad lib came from Wendt. When he hit the stage, one woman in the audience found it necessary to shout, "Norm!" to which he responded by simply saying, "Edna!" -- alluding to his current gig in Broadway's Hairspray.

If there was one major highlight, it came from a surprising source -- Mario Cantone. Known in part for his impersonations of both Judy Garland and Liza Minnelli, the actor singlehandedly stole the show when he came out to pinch hit for Glinda midway through the performance. In a little tête-à-tête with Block, who made her Broadway debut as Minnelli in The Boy From Oz, Cantone momentarily dished Lizaesque before launching into his own hilarious rendition of "Popular." He was, in a word, priceless.

The evening also offered the adoring crowd an opportunity to salute Schwartz and Holtzman, who took to the stage at the reading's close. Holtzman graciously deflected the applause toward "Wicked" author Gregory Maguire, while Schwartz offered that he's looking forward to celebrating Wicked's success yet again in another five years.

I hope to be there to cheer them on yet again.

This is Steve On Broadway (SOB).

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Sunday, February 11, 2007

Come Be My Love...Love Spoken Here (The SOB Overview) - Westport Country Playhouse, Westport, CT

Come Be My Love...Love Spoken Here (The SOB Overview) - Westport Country Playhouse, Westport, CT

Last evening, I was thrilled to be among the relative few fortunate enough to enjoy one of the loveliest, tastiest confections to come along in a long, long time.

Bigger than the largest chocolate kiss, this mega-bite Valentine was served up at Connecticut's venerable Westport Country Playhouse in the form of romantic poetry written by such giants as Maya Angelou, Noël Coward, Emily Dickinson, Robert Frost, Langston Hughes, Dorothy Parker and William Shakespeare, among others.

What could possibly be any tastier than Come Be My Love...Love Spoken Here, last night's luscious seven course benefit at and for the Westport Country Playhouse. Indeed, the evening’s generous, heaping helpings of amore would have sated practically every kind of lover, including those not typically prone to enjoying liberal portions of the poetic verse.

Come Be My Love was no ordinary interpretation of poems and sonnets. No, what made this brilliant offering of both classic and modern odes to loves -- both requited and otherwise -- so jaw-droppingly spectacular was the way in which the seven stellar cast members made each work come alive with humor, humility, lots of humanity and most of all, heart.

Miraculously amassed for this one-time-only event, Joanna Gleason, Charles Grodin, Philip Seymour Hoffman, Eartha Kitt, Paul Newman, Chris Sarandon and Joanne Woodward offered their own unique, individual voices on the ecstasy and agony that arguably make love life’s ultimate affection. Wow!

To call this breathtaking would be a major understatement. With the megawatt cast’s refrains reverberating throughout the theatre, this audience member was left reeling as though Cupid had shot another arrow through his heart. Alternately laughing and misty-eyed, I couldn’t help but ponder just how truly blessed I am to have found the love of my life, my own true love.

Although it’s a little heartbreaking to know that this night will never again be repeated for wider audiences, this lovely evening will long be remembered by my Valentine and me as we toast how fortunate we are, in life and in love.

This is Steve On Broadway (SOB).

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