Monday, November 08, 2010

Life Is Short For A Life In The Theatre

Life Is Short For A Life In The Theatre

So much for any additional life support for A Life In The Theatre. Sadly, it's time to write the obit as they're pulling the plug more than a month early.

Today, a closing notice was posted for the limited run revival of David Mamet's slight, 33 year old work presented for the very first time on Broadway this fall. The show will close on November 28.

On paper, it certainly sounded brilliant, particularly with Neil Pepe directing Patrick Stewart and T.R. Knight, both extraordinarily gifted actors in their own right. Yet, it seemed extremely tiny, even in its smallish Broadway house. It also seemed woefully thin, not only to me, but also to a host of critics.

Even worse, the show has been languishing near the bottom of the weekly grosses for the past couple weeks (and I'm sure this week's box office totals will bear similar results). In fact, with one notable exception, A Life In The Theatre was not only the lowest grossing show on Broadway for the week ending October 31 ($218,150), but also at the bottom in attracting capacity crowds at 39.3%.

When the show closes, it will have performed 56 regular performances. As Ben Brantley of The New York Times has so eloquently stated, "And now when I see a good production Off Broadway, I shudder to think that it may soon be pushed onto a big, unloving stage where it may well die from exposure." As much as I love Broadway, not every play or musical -- including ones I love -- belongs there.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.





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Tuesday, October 26, 2010

A Life In The Theatre (The SOB Review)

A Life In The Theatre (The SOB Review) - Gerald Schoenfeld Theatre

** (out of ****)

In recent years, Atlantic Theatre Artistic Director Neil Pepe has been with his theatre's co-founder David Mamet through thick and through thin. And for that, I'm grateful, given the works Pepe has breathed exciting new life into.

But nothing has been nearly as thin as Mamet's A Life In The Theatre, a mildly amusing, intermittently humorous and even potentially poignant play about two actors at the opposite ends of their careers. If this work was a real life, you'd think it had overdosed on plavix, making its blood so thin that its veins are left as brittle as Mamet's surprisingly stilted dialogue -- an unfortunate coincidence that has rendered this inert revival as surprisingly lifeless.

How thin can this show be? Running at an exasperatingly long 90 minutes, A Life In The Theatre is divided into dozens of short, distinctive vignettes punctuated by what seems like at least 15 minutes worth of changes in scenery. In fact, Santo Loquasto's scenic design and the stage hands who move it essentially become this revival's third character.

All of what little action there is takes place in the same theatre. However, it's drawn out over an endless, if unlikely, series of plays in which both Robert (Patrick Stewart) and John (T.R. Knight) are continually cast opposite one another.

At first, budding thespian John seems eager to accept the sage advice of Robert, an actor in the twilight of his career. The interplay between Stewart and Knight is at its best when the two are backstage, even if most of the play's funniest moments are reserved for the mishaps onstage.

What makes A Life In The Theatre particularly thin is that Mamet never seems interested in going beyond the superficial relationship between the two actors. Beyond painting one actor's ascent and the resulting jealousies of the other, Mamet misses the opportunity to explore who these men beneath the greasepaint are. Leaving them rather one-dimensional, Mamet deprives the audience the chance to become invested in who Robert and John are.

There is A Life In The Theatre lurking somewhere in this revival, but it's pulse is just too faint.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Saturday, October 23, 2010

The SOB Poll - September Results

The SOB Poll - Septem-ber Results

At the beginning of Septem-ber, I noted how seven new shows were starting on Broadway that month and asked you to vote for the show you most wanted to see.

The results are finally in.

With a plurality of the 149 votes cast, Bloody Bloody Andrew Jack-son led the pack with 36.9%. The musical went on to receive largely positive views, present company excluded.

Bloody Bloody Andrew Jackson was followed in a close race for second place. A Life In The Theatre (14.8%) narrowly edged critical darling Brief Encounter (14.1%). They were followed by La Bête (10.7%), Lombardi (8.1%) and The Pitmen Painters (6.7%).   

How did your favorite show fare?

Tomorrow, I'll provide the results of your top picks among Broadway shows starting in October.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Friday, September 03, 2010

Theatre Finally Coming To Broadway

Theatre Finally Coming To Broadway

I've read it so many times that I was almost beginning to believe it was true: that revivals of David Mamet works have long since become perennial events on Broadway.

Well, it isn't necessarily so.

Sure there was that Tony Award-winning Best Play Revival of Glengarry Glen Ross in 2005. But it wasn't really until the very recent 2008 Broadway revival of Speed-The-Plow that the Mamet machine really swung into gear. And summarily got stuck. Just weeks later, the blink or you'd miss it revival of American Buffalo largely opened to pans. In 2009, a revival of Oleanna opened to more receptive acclaim.

Now comes only the fifth Mamet revival of the last decade.

Frequent Mamet collaborator Neil Pepe is set to direct A Life in the Theatre with Patrick Stewart and T. R. Knight star as Robert and John, respectively -- two stage actors in a power struggle. Stewart is no stranger to the play, having performed as Robert on the West End opposite Joshua Jackson in 2005.

Although it has seen life in London and Off-Broadway, A Life In The Theatre has never before been mounted on Broadway. Until now. The official Web site describes the 33 year old play as follows:

A Life In The Theatre will be making its Broadway premiere. The play made its world premiere at The Goodman Theatre in Chicago in February of 1977 with Mike Nussbaum and Joe Mantegna and was directed by Gregory Mosher. The play opened off-Broadway on October 20, 1977 at the Lucille Lortel Theatre and ran for 288 performances. That production was directed by Gerald Gutierrez and starred Peter Evans and Ellis Rabb.

Describing life in the footlights from an actor’s point of view, A Life In The Theatre focuses on the relationship between two thespians: Robert, an older, experienced performer; and John, a relative newcomer. Though Robert’s guidance is welcomed by John at first, as the play progresses Robert falters as an actor and mentor, and John emerges as a mature actor. Mamet was inspired to write A Life In The Theatre by what he had observed backstage as well as by his own experiences in his early career as an actor.
Stewart, of course, is one of the foremost actors on either side of the Atlantic, and his participation alone would be enough to entice me to see A Life In The Theatre. But having witnessed Knight's impressive acting range on stage as both an amazing Amadeus Mozart in Amadeus and as Tim in Noises Off! -- both before he ever became known to television audiences as Dr. George O'Malley -- I can honestly say that I'm every bit as anxious to see him perform as I am his co-star.

Previews begin at Broadway's Gerald Schoenfeld Theatre on September 21, with opening night set for October 12, 2010. The limited run will conclude on January 2, 2011.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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Thursday, September 02, 2010

7 New Broadway Shows Begin This Month - Which Do You Most Want To See?

7 New Broadway Shows Begin This Month - Which Do You Most Want To See?

This month, Broadway's 2010-11 Theatrical Season begins in earnest as seven new plays and musicals start previews.

They include Mrs. Warren's Profession (September 3), Brief Encounter (September 10), The Pitmen Painters (September 14), A Life In The Theatre (September 21), Bloody Bloody Andrew Jackson (September 20), La Bête (September 23) and Lombardi (September 23). Which leads me to ask in my latest SOB Poll, "Which of these productions do you most want to see?"

Please take a moment to vote in this poll, and feel free to provide your comments below as to why.
Online Surveys & Market Research




Thank you for participating!

For the complete list of Broadway shows confirmed for this season, please click here. For shows that have been announced, but not fully confirmed with venues and/or dates, click here.

This is Steve On Broadway (SOB).


In keeping with the new Federal Trade Commission (FTC) regulations that unfairly discriminate against bloggers, who are now required by law to disclose when they have received anything of value they might write about, please note that I have received nothing of value in exchange for this post.

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